Tag Archives: poodle

A cdv portrait of a poodle from the Pennsylvania coal country

Pets Blog 08 Nov 2015_0006

Unidentified dog, probably a poodle.  Carte-de-visite photograph by Kirby & Brothers Fine Art Gallery, Carbondale, Pennsylvania, probably late 1860s.

Here’s a handsome fellow who decided to pose at the Kirby & Brothers Fine Art Gallery by of Carbondale, Pennsylvania, by lying down.  This little dog is probably a poodle or a poodle mix, which made him unusual and special at the time this image was made.

William E. Kirby and John B. Kirby were probably the Kirby & Brother on the back of this card.  William was listed in as a Carbondale photographer in the 1868-69 edition of Reilly’s Pennsylvania Business Directory.  John appeared as a photographer in Susquahanna Depot, Pennsylvania, in the same book.  At the moment, I can’t say for certain whether they had been working together but had severed the partnership prior to 1868.  I do know, however, the William went on to become a merchant of rugs, fancy goods and furniture in Scranton in the 1870s, while John’s subsequent whereabouts are unknown.

Carbondale, 15 miles northeast of Scranton, played an important role in the early decades of the Pennsylvania coal industry.  It was the site of the first deep vein anthracite coal mine in the United States, and by 1829 it was a terminus for the young Delaware & Hudson Railroad.  Incorporated as a city in 1851, it was a city of immigrants:  Irish, Welsh and German at the time this image was made.  The individual or family who had this photograph made was almost undoubtedly well-to-do, probably a local businessman or, perhaps, a manager for a mining company or the railroad or someone from his family.

Just a reminder:  cartes-des-visite, or “cdvs” appeared on the scene in the mid-1850s and were generally printed in multiples.  They were originally intended as photographic visiting cards to be shared, and they are the first type of photographs collected into albums.  Because they were contact prints (the negative was as large as the printed image), the resolution of these little photographs is often very high.  It’s fun examining them closely, using a magnifying glass of some kind.

Pets Blog 08 Nov 2015_0007

Verso of the carte-de-visite.

Leave a comment

Filed under animal-human interaction, carte des visit, carte des visite, dog photography, dogs, pet photography, pet portraiture, pets, poodle

Doggie Glamour of the 1950s and 1960s

Dog clothing interests me.  These days, our canine housemates have protective rain coats and boots, down vests, Christmas sweaters, and Halloween costumes.  Some years ago, I saw a “wiener dog parade” in New Orleans that included cheerleader outfits, superhero capes and — best of all — dachshunds dressed as wieners in buns with mustard and ketchup.   The humor that we dog owners seem to get out of canine dress-up seems unbounded by anything except our budgets and the tolerance of our foot-footed buddies.

IMG_5871

Catalog page of dog accessories, Von Lengerke & Antoine, Chicago, IL, ca. 1910.

In an earlier blog post, I discussed a pattern for a crochet dog coat that was publishined in Godey’s Lady’s Book in 1873.  It was ornamented with a fringe and small jingle bells.  However, dog clothing of the late 1800s and early 1900s was simpler than that Victorian fantasy.  Here is a page from a catalog by Von Lengerke & Antoine, a Chicago sporting goods company that was in business between 1891 and 1938.  The page dates from around 1910, I believe. Dog owners shopping in the store or via the mails could purchase sweaters, “dog blankets” that looked like miniature horse blankets, and rain slickers.

Plaid dog coat

Dog coat, maker unknown, American, ca. 1950. Wool, buttons and metal buckle.

By the 1940s, the appearance of dog clothing increasingly paralleled human dress.  This little coat, which dates from the late 1940s or early 1950s, is made from a woolen fabric woven in a version of a “buffalo plaid.” In clothing for people, buffalo plaids are fabrics  woven in large-scale red-and-black checks; the patterns date back as far as the 1850s.  Buffalo plaids were  popular for mens’ and boys’ jackets in the 1940s and 1950s — and here it is made up the family dog.

gigi coat

Dog coat, faux fur, cotton and metal buttons, between 1965 and 1974.  Made for Gigi Herman (1964-1974) by Lynda Herman Chaney.

The 1950s and 960s were the glamour decades  for doggy dress — just as they were for women’s clothing.  Most of the dog coats and accessories from the era that I have found were scaled for very small dogs — another fad of those decades.  This was the heyday of the miniature poodle in particular.

Lynda Herman Chaney  made this  faux fur coat for Gigi, the miniature poold owned by her mother Juanita Herman of Kansas City, MO.  Mrs. Herman was a fashionable dresser and, since Gigi needed protection from the cold winters, she dressed her in coats with boots and even matching hats.

c82

Pattern 4219, Dog collars and coats, size small. Dated in pen “1963 April.”

Lynda Chaney could have used this pattern for Gigi’s coats. This copy of Simplicity Pattern 4219 is dated in pen “1963 April,” but the pattern itself dates from the 1950s.   I like the array of dogs illustrated on the envelope:  poodles, a boxer, a Boston terrier, a beagle and a miniature schnauzer.  Most of these breeds were represented in my childhood suburban neighborhood in the 1950s and early 1960s.  Notice that the all-American beagle is wearing a manly plaid coat, rather like the one illustrated above.

There’s more to say about doggie glamour of the 1950s and 1960s.  From rhinestone-encrusted collars to nail polish, the developing pet products industry capitalized on the new prosperity of many Americans in those decades.  I’ll share some of those products with you in a future post.

 

 

Leave a comment

Filed under dog clothing, dogs, material culture, pet industry, pet stores, pet supplies and equipment, pets