Category Archives: real photo postcard

“The Intermission”: a playful dog in a real photo postcard, 1910

Documenting the history of play with pet animals is a challenge.  Think about your own games with your pets.  They are casual, often lasting a few minutes in odd moments of leisure or pauses during housework.  They may take place while something else is going on: I often find myself throwing a small rubber ball for my dog while I watch television.  Nowadays, quick snapshots and short videos of play with pets record these casual yet pleasurable and emotionally satisfying moments for posterity — and in enormous numbers. (As I write this, a Google search for “dog video” yields 204 million results.) But finding manuscript sources that recount these games in an earlier era is a treat.  And this real photo postcard, sent in 1910, even includes a snapshot of the dog in question! What it does not include, however, is the name of the writer, the name of the dog, or information on who took the photo.  Oh, well.

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Real photo postcard with cyanotype snapshot, postmarked 20 October 1910, Sweetwater, Texas.  Unsigned, and photographer unknown.

Here is a transcript of the message: “The Intermission.”  “The scamp” paused for an instant on top of the storm-cellar, and, huffing and panting, “dared” me to romp with him some more!  I “snapped” him and then jumped at him – and off he dashed, plowing the dust up so that Arnold had to wash his paws again before taking him into the house.  His hair dries in tufts, as you see here, and I call him “an old porcupine” until he gets combed out!

The message seems to describe one of those spontaneous running-and-chase games where the dog tucks his butt and runs in circles; at my house, we call this “scudding.” I’m not sure about the breed of the dog.  He seems to be a collie or a collie mix of some kind.  And we know that he was a house dog.

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Verso of postcard of “The Intermission.”

The verso of the postcard, above, recalls a day spent with Mrs. Burnside, the recipient, and mentions an “S” who is apparently near the end of a fatal illness.  But it is unsigned.

So pause in your labors and make your dog (and  you) happy by inviting her to play.

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Filed under animal-human interaction, dogs, pet humor, pet photography, pets, play with pets, real photo postcard, rppc, snapshot

Buster’s photos of his pets, 1916

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Lots of children kept rabbits as pets in the 1800s and early 1900s. The child’s plate below, which dates from the 1830s, shows a girl caring for her “favourite rabbits.”  (I have been searching for the source of the verse on this plate;  any leads will be much appreciated and fully credited!)

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Children’s plate. Creamware with transfer and enamel designs, 1825-1850.  Maker unknown.

I’m not completely sure why, but rabbits were regarded as perfect pets for children, perhaps because they could be kept outdoors in hutches; were gentle (although my rabbit-owning friends will tell you that they can and do bite); were relatively tolerant of over-enthusiastic handling; and multiplied quickly, offering replacements for casualties.  They could also be eaten, although many Americans seem to have been losing their taste for roasted or stewed rabbit by the time this card was sent in 1916.  While I can’t identify them for certain, Buster’s bunnies are probably “Rex” rabbits, a larger breed kept as both pets and meat animals.

Play with pet rabbits could become quite elaborate.  My book Pets in America offers a detailed account of the “Bunny States of America,” a pretend-play world of pet rabbits, chickens and other animals enjoyed by the children who lived at the house Cherry Hill in Albany, New York about a decade before Buster wrote this postcard to his friend John.

While I can’t say this for certain, I think that Buster was also the amateur photographer here, with access to a simple box camera and, I presume, the ability to print his negatives on postcard blanks.  Since he was studying geometry, he was probably a young teenager in 1916.  I also like the set-up for this photo shoot.  The “Friends” at the top were photographed on a tapestry carpet dragged outdoors for the purpose.  Commercial postcards that featured photography of pet animals sometimes included set-ups like this, where several animals were depicted together.  The handsome rabbit in the image below seems to be sunning him or herself on a worn tablecloth.

 

 

 

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Filed under pet photography, pet portraiture, pets, post cards, rabbits, real photo postcard, rppc, snapshot

“Some pictures of Etta’s pets…”: a real photo postcard

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Real photo postcard, between 1902 and 1907.  Photograph by “Etta” (no other information available).

At this busy time of year, I’ll share a short post about a card I purchased a while ago.  Here is a real photo postcard that features a pair of images taken by “Etta,” who I presume was a young woman, perhaps a teenager.  I’ve written about these kinds of cards in earlier posts, but let me review some history quickly. Eastman Kodak began selling pre-printed postcard stock with photo-sensitive fronts in 1902;  they offered a camera designed for amateur postcard photography in 1903.  Other companies soon followed; some began to offer accessories such as sets of black paper masking frames that allowed printed photos to have different shapes and borders.  This one is interesting because Etta printed two round images on the front, masking them but overlapping them by accident.   I’ve been unable to identify the recipient, the sender, or the writer — but this card is evidence of a young woman taking up amateur photography.   The photo of the cat is particularly nice.  I like that the horse is her “pet,” too.  This suggests that, at a time when horses still were crucial sources of motive power, some crossed the line from worker to beloved individual — and that girls were riders, too!

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Back, postcard of “Etta’s pets.”  Sent to Ruth Daniels, Middlesex, VT, no postmark.

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Lombard’s Musical Cats

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“Lombard’s Musical Cats,” photographer unknown; poem probably by Harlan P. Lombard.  Auburn Post Card Manufacturing Company, Auburn, IN, between 1913 and 1929.  Postally unused.

On this very hot Saturday (a day when all wise pets are taking naps someplace cool), allow me to introduce you to Lombard’s Musical Cats.  I looked for information about this postcard on and off for months, and this pair, a mother and son team according to the poem, and their owner remained as mysterious as when I purr-chased the card. (Sorry, I couldn’t help myself….)

I can tell you something about the Auburn Post Card Manufacturing Company, the publishers of this card.  The company began as the Whitten-Dennison Post Card Company in Maine, but L. G. Whitten, one of the founders, moved it to Auburn, Indiana, and renamed it in 1913.  The company made cards for businesses, cities, and tourist destinations.  They were also known for their “comic” postcards on subjects like courtship and holiday cards.  This, however, seems to be unique in their output.  It is clearly a commission from someone who felt that he could make use of the minimum 500-card order required by APCMC.

And now I think I know the identity of the man behind “Lombard’s Musical Cats.”

Harlan P. Lombard (c. 1862 – 1942) was a composer of spectacularly obscure popular songs in the 1910s and 1920s.  He lived in North Eastham, Massachusetts, according to copyright records.  The 1920 U.S. Census listed him as a widower and a “music composer.”  His works survive in a few pieces of sheet music in public collections.  “If You’re a True America, You’re All Right” was self-published in 1917;  a copy can be seen in the digital catalog of the Library of Congress.  The caption above the song title is “‘Harmony Harl’s’ Patriotic March,” suggesting that he was a recognized local character with a presence as a performer known as Harmony Harl.

So let’s raise a glass of iced tea to the memory of Harmony Harl, Baby, and Thomas Boy!

 

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Doghouses: Daily Life for Dogs in the Past

Doghouses were once a common sight in the back yards of American households. Well into the 20th century, family dogs often spent their nights outdoors,  and quite a few dogs seem to have lived outside all of their lives.  Don’t assume that this meant that people did not love their dogs, or that outdoor dogs weren’t pets.  There are many reasons that dogs lived in separate houses. For instance, watch dogs were important for many households;  often, a barking dog was the only burglar alarm available.   Especially during the warm months, flea infestations were so hard to control that the best way to limit household infestations was to keep dogs outside.  (I’ll be doing another post on flea control later this summer.)  If a family had a stable or barn, dogs often slept there and did not have a doghouse.

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Advertising trade card for Charles Hall, Springfield, MA, undated (1870s). Chromolithograph, published unknown.  This image was purchased as a “blank,” and Charles Hall, who started his business in the early 1870s, added the store information, probably using a local printer.

A few doghouses from the nineteenth century survive;  there is a charming one in the collection of the John Quincy Adams house.  But most are long gone.  However, lots of images of doghouses, in a variety of media, show use what they looked like and  how they were furnished and used.  This trade card, from the 1870s, depicts a mother dog with her pups receiving a pan of milk from two children.  It’s a plain, unpainted structure with a peaked roof.  It looks like it may have a floor, too, and the adult dog lies on bedding of straw.

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Advertising trade card for W. Winslow, Peabody, MA, no date (1870s or 1880s).  Lithograph, Gies & Co, Buffalo, New York (c. 1871 – c. 1922).   This is another blank with the store information added later.

The trade card above, from around 1880, shows a doghouse that has been fashioned from a barrel.  In this domestic scene, the mother terrier has brought a rat to her puppies and seems to be instructing them on their duty as terriers to hunt and kill rodents.

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Advertising trade card for Prescott’s Universal Stove Polish, J. L. Prescott & Co., Berwick, Maine, undated.  Chromolithograph, publisher unknown. This card was distributed widely, and many copies survive.

Here’s another trade card image that shows an improvised doghouse made from a barrel steadied with bricks to keep it from rolling.  The adult dog is absent, but a collar and chain lies in front of the barrel, as does a pan containing a large bone.  Frances Butler, the author of Breeding, Training, Management, Diseases, Etc. of Dogs (first edition 1857), advised his readers, “If you are in the habit of keeping your dog on a chain, let him at least run a few minutes every day.” Perhaps that is what is happening here.

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“Beware of the Dog,” commercial photographic postcard.  Coryright 1907, Robert McCrum. Published by Bamforth & Co, New York, New York. This card was one of several comic photographic postcards  by Robert McCrum thar featured dogs.

Another crudely constructed doghouse from the early 20th century is depicted in this comic postcard from 1907. It shows a bewildered puppy chained to a doghouse that is raised on improvised legs nailed to the exterior and has an open roof line for ventilation.  The dirt yard suggests that this doghouse is in a city backyard or alley — not a great place to keep a dog, but a location where many city dogs lived.

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Two dogs, a cat and a doghouse.  Real photo postcard, photographer unknown.  Sent from Pleasant Lake, MA, on 16 June 1908 to Phoebe Cahoon of Sandwich, MA.

Advice books about dog keeping often included plans for making a good doghouse, but nothing I have seen looks remotely like this improvised structure.  Set well off the ground, it is covered with what were probably leftover shingles.  With its small entrance, it was probably cozy in winter, especially if two dogs slept in it.  Again, we see the straw bedding in the doorway.  Notice the cat keeping company with the two spaniels here.

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Plan for the “Vero Shaw model kennel,” published in William A. Bruette, Amateur’s Dog Book: A Treatise on the Management, Training and Diseases of Dogs. New York: Field & Stream Publishing Company, New York, New York, 1906.  My copy of this little book, which is only 4 1/2 by 6 3/4 inches, is inscribed “From Foley Dog Supplies, Inc. 119 So. 19th St. Phila. Pa”

Finally, here’s a plan for an improved dog house, published in a small paperback titled Amateur’s Dog Book, which was published in 1906.  Called the “Vero Shaw model kennel.”  It could be taken apart to enable thorough cleaning and had a bench front that allowed its occupant to “rest and enjoy the air.”   Notice the trim on the peak of the roof and the glass window!  This doghouse was intended to be a significant little outbuilding, an asset to the yard it occupied.

As a side note, Vero Kemball Shaw (1851-1921) was a British peer (I haven’t figured out his title yet) who was apparently active in the British dog fancy.  He published The Illustrated Book of the Dog (Cassell, Peter, Galpin & Co) in 1881.  The book featured beautiful chromolithographs of purebred dogs, and the images have often been pulled out of the book and sold for framing.

 

 

 

 

 

 

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Happy Valentine’s Day from Arthur Edwards and His Dog Daisy, 1909

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My work obligations are interfering a bit with my blog posts, but I didn’t want to miss Valentine’s Day, especially when I had such a nice homemade valentine to share.  Arthur Edwards mailed this “funnie little valentine”  of himself and his cocker spaniel Daisy on February 10 from Detroit, Michigan, to Ruth Coddington of Auburn, Nebraska.  I’m guessing that he’s about twelve years old here.  I haven’t yet been able to find out anything more about Arthur and Daisy, but his sober expression, and her patient one, are touching.  The photographer is unknown.

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It’s National Cat Day!

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“Fluffy Ruffles,” real photo postcard by “W.C.T.,” postmarked Boston, 1908.

In honor of National Cat Day, allow me to introduce you to “Fluffy Ruffles,” the poster cat for all the indignities we visit on our feline housemates, especially in our photographs and videos.  Not only was the poor creature given that embarrassing name, but poor F.R. was stuffed in a basket for this portrait.  And you can see how happy he (or she) is about it.   Happy National Cat Day!

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Back of postcard of “Fluffy Ruffles.”

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