Category Archives: carte des visit

A cdv portrait of a poodle from the Pennsylvania coal country

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Unidentified dog, probably a poodle.  Carte-de-visite photograph by Kirby & Brothers Fine Art Gallery, Carbondale, Pennsylvania, probably late 1860s.

Here’s a handsome fellow who decided to pose at the Kirby & Brothers Fine Art Gallery by of Carbondale, Pennsylvania, by lying down.  This little dog is probably a poodle or a poodle mix, which made him unusual and special at the time this image was made.

William E. Kirby and John B. Kirby were probably the Kirby & Brother on the back of this card.  William was listed in as a Carbondale photographer in the 1868-69 edition of Reilly’s Pennsylvania Business Directory.  John appeared as a photographer in Susquahanna Depot, Pennsylvania, in the same book.  At the moment, I can’t say for certain whether they had been working together but had severed the partnership prior to 1868.  I do know, however, the William went on to become a merchant of rugs, fancy goods and furniture in Scranton in the 1870s, while John’s subsequent whereabouts are unknown.

Carbondale, 15 miles northeast of Scranton, played an important role in the early decades of the Pennsylvania coal industry.  It was the site of the first deep vein anthracite coal mine in the United States, and by 1829 it was a terminus for the young Delaware & Hudson Railroad.  Incorporated as a city in 1851, it was a city of immigrants:  Irish, Welsh and German at the time this image was made.  The individual or family who had this photograph made was almost undoubtedly well-to-do, probably a local businessman or, perhaps, a manager for a mining company or the railroad or someone from his family.

Just a reminder:  cartes-des-visite, or “cdvs” appeared on the scene in the mid-1850s and were generally printed in multiples.  They were originally intended as photographic visiting cards to be shared, and they are the first type of photographs collected into albums.  Because they were contact prints (the negative was as large as the printed image), the resolution of these little photographs is often very high.  It’s fun examining them closely, using a magnifying glass of some kind.

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Verso of the carte-de-visite.

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A Portrait of Snoozer the Pug

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“Snoozer,” carte de visite, E. T. Bowdle, photographer, Lima, Ohio, probably 1880s.

Meet Snoozer the pug puppy, who took a very appealing likeness at Elisha T. Bowdle’s photography studio, probably in the early 1880s.  He is posed on what looks like a pedestal made of wood  (a studio prop, I suppose), and his name seems to have been added to the negative prior to printing.

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Reverse of Snoozer’s portrait.

Elisha T. Bowdle opened his photography studio in Lima, Ohio, in 1879.  Here’s the notice that appeared in the Lima Times Democrat and one other local paper on 20 November 1879.  Bowdle’s employees were called “operators,” and this photo was taken by one named C. J. Young, who I have not been able to trace.  I am dating this photograph to the 1880s because the larger cabinet-sized cards seem to have been more popular by the 1890s.

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E. T. Bowdle grew rather prosperous by the 1880s.  He probably owned the building, “Bowdle’s Block,” advertised on the back of the photograph, and the Lima newspapers reported periodically on his businesses and his involvement founding the Good Templar Lodge in 1888.  He also helped to found the Lima Y.M.C.A. that same year.

This is the only trace remaining of Snoozer, who was clearly prized by his owner or owners.  The 1880s were the first years of a craze for pugs that was several decades long.  Pugs show up all over the country, which is quite extraordinary when you think that they were really introduced to the entire country at the Centennial Exposition dog show in 1876.  I hope he lived a long and happy life!

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Filed under animal-human interaction, attitudes toward dogs, carte des visit, carte des visite, dogs, pet antiques, pet photography, pet portraiture, pets